With the entire production complete, the time has finally come for Greg Wells to pull up the multitrack for Bryce Drew's "Lucky Number" on the gorgeous, Sunset Sound Custom Discrete Console, loaded with API 550-A EQs on every channel.

Watch as Producer, Engineer, and Mixer, Jacquire King, sets up the live room and control room at Flux Studios in New York City, to continue the production of Oak & Ash's first full length record, with the single "Keep The Light On"

In this episode, Jacquire sets up the mix bus processing for Oak & Ash's "Keep The Light On", and breaks down his approach. This episode contains one of the best explanations of the UAD Ampex ATR-102 available online.

The tracks are edited, the samples added, the vocals tuned, and this session is ready to mix!

The mix is set up, and Tony has put together some ideas for where he wants to take the mix. Continuing from part 1, Tony starts automating levels early in the process to begin building the foundation for his vision of "Lifeboats" and continues to perfect the individual tones to support the bigger picture.

In 2015, a previous version of world-renowned mixing engineer, Andrew Scheps, mixed "Lifeboats". Now he returns five years later as "Future Andrew'' to revisit the mix and see what has changed in his template.

The drum sounds are locked in, it's time to set up the vocal chain and guitar tones.

Now that Jacquire and the team have a plan and the drum mics in place, it's time to get drum sounds.

In episode 1 of this addition to the Lifeboats series, Award Winning Engineer, Tony Maserati, opens the multitrack for the Will Knox song, "Lifeboats", and takes us all the way from hearing the song for the first time, to a completed powerful and energetic mix with his signature sound imprinted upon it.