WATCH TRAILER

How To Listen: Vintage Gear Edition: Microphone Preamps

Pro Video

54min

(30)

Microphone preamplifiers can have an incredible influence on the tone of the source being recorded. Specific microphone preamplifiers from well known name brands are coveted for the sonic imprint they impart onto recordings.

In the latest entry to our How To Listen Series, Fab Dupont and Chris Mara (producer, engineer, and owner of the Nashville based recording studio, "Welcome To 1979") sit down with four different flavors of microphone preamplifiers for the purpose of quantifying the characteristics each contribute to the final sound of the recording.

This is a chance to hear the sound of coveted microphone preamplifiers on the same drummer, playing the same pattern, through the same microphones, so that you can listen to the differences for yourself as Chris, and Fab demonstrate, explain, and give you tips on what to focus on in order to learn the sound of microphone preamplifiers.

Exercise files
Chapters
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Transcript
CLICK_HERE
Equipment & Software
  • 1978 MCI 400 Console w/CAPI API MIC Preamps
  • Trident 80 Sidecar
  • Heritage Audio HA-73 Mic Amp/Equalizer
  • Vintech Audio X73 Mic Preamp Equalizer
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Mentors
Fab Dupont

Fab Dupont is a Grammy winning NYC based record producer, mixing/mastering engineer and co-founder of pureMix.net.

Fab has been playing, writing, producing and mixing music both live and in studios all over the world. He's worked in cities like Paris, Boston, Brussels, Stockholm, London and New York just to name a few.

He has his own studio called FLUX Studios in the East Village of New York City.

Fab has been nominated for Grammys 6 times, including two Latin Grammys and has received many other accolades around the world, including Victoires de la Musique, South African Music awards, Pan African Music Awards and US independent music awards.

Credits

David Crosby

Queen Latifah

Jennifer Lopez

Mark Ronson

Les Nubians

Toots And The Maytals

What do you have to say?
Leave a comment
Gregb
2019 Dec 03
yeah, give me 30 sec kate! 15 mins later lmao
léo.ch
2019 Nov 02
I always felt that Neve is what"peoples" want/expect to hear on a record. But just because we heard it on so many hits that it got that familiar feeling and we want to hear it again, this is what feels legit, natural, evident? Also work for U47, LA2A... My hear goes with MCI, kind of disappointing by the API Also, so many things come in count : whats the genre and the speed of the song, the musician, how many instruments in the arrangemnt...some times what sound best for a drummer on a song sound bad the next day with another band... at the end its not a science and you do with what you got
Lucacherchi1
2019 Nov 01
Amazing video
Gerrygrimaud
2019 Oct 30
would also like to see you guys compare plugins from waves or UAD back to back with their original hardware versions.. i think that would be really helpful for alot of engineers
Gerrygrimaud
2019 Oct 30
Amazing video...
Jose Malqui
2019 Oct 19
Falta la traducción al español por favor :(
Cuemix
2019 Oct 13
It's very common these days to work in isolation so to be able to virtually sit in on a test and discussion like this between two seasoned engineers is really interesting and beneficial. More like this please!
stefan.l
2019 Oct 09
Awesome video, but I can't see any stems
Rip0702
2019 Oct 07
Very insightful video! I would've loved to see how we would've perceived a Neve 1073 or API Plugin compared back to back with these hardware versions.
Angelrguez
2019 Oct 06
This is one of the best piece of educational video that exist. Thank you.
Stormwarner
2019 Oct 06
Great series! Thx! :)
dcastillo
2019 Oct 05
Thank you for this video!
marmull
2019 Oct 04
Great lesson! Please allow access to the stems
ProMix
2019 Oct 04
There are no stems! too . Please add project . I enjoyed to from your video .It's amazing testing some gear ,faithfully . Just , you can add SSL preamp to this compare . I thinks 5% it's so important , because every 5% in record - edit - mixing - mastering can be add more than 50% resolution . MCI - API - Trident - Heritage , I think Heritage is brighter and also more frequency in the bass . but MCI is relax and isochromatic sound . Trident , is like to heritage is strong and bright but not like heritage good bass frequency response . Also API is classic good sound .
studiosix
2019 Oct 03
I enjoyed all the sidebar conversations and the story of the bell. Question: What kind of CAPI mic pres where installed in the console? I got a VP312 in a lunch box. It's real clean
p_rzepka
2019 Oct 02
Great idea for a series. Especially for us less experienced mixers/engineers.
kevinnute
2019 Oct 02
Leaving Fab's useful observation about downstream mixing considerations aside for the moment, I found the Neve and the API more engaging than the MCI and the Trident from a "toe-tapping" standpoint. This could be related to the (very) slightly more prominent bottom of the MCI and the Trident. The larger point remains: this is all great gear and it's all secondary to a great performance!! Thanks again for this really useful video:)
kevinnute
2019 Oct 02
This was really great: thank you:) A small editing suggestion if I may: leave a little more time between the tracks playback and the dialogue; give us a chance to grab the volume control:) I pretty much agree with your comments on the sonics of the pres under test. There are some fairly subtle frequency response differences (they're all accurate in any meaningful sense) but what stood out for me was how much the difference in transient response affected my perception of the groove.
telepathy
2019 Oct 02
Not to be *that guy* but I would've loved to have seen this done with splitters, so that the same performance could be used for all four sets of pres.
raphaël.du
2019 Oct 02
There are no stems!
pmlogin