WATCH TRAILER

How To Reamp

Pro Video

11min

(37)


Not Your Everyday Reamping Techniques

Untreated DI tracks are often dry, lifeless and boring but reamping gives you endless creative possibilities to add new dimensions to your DI signals.

In this video, Ben Lindell shows you everything you need to know to start using this essential technique.

He explains:

  • What exactly is reamping
  • The signal flow to get out of the box
  • The gear needed to start reamping

Learn how to bring your DI tracks to life and see several examples of reamping applied to bass, guitar, and vocals.

Chapters
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Transcript
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Equipment & Software
  • Little Labs Red Eye
  • Ampeg SB12 Fliptop
  • Fender Bandmaster
  • Fender Silvertone
  • Electro Voice RE20
  • Shure SM57
  • Beyerdynamic M 201
  • Bock Audio iFet
  • Universal Audio Apollo
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Mentors
Ben Lindell

Ben is a NYC based producer/engineer who has worked with artists from MGMT to Soulja Boy, Bebel Giberto to Lloyd Banks, Ryan Leslie, Olivia, Tony Yayo, Red Cafe, Edie Brickell, Carole Pope and hundreds of other artists from around the world. He grew up in Iowa and then attended the University of Miami.

In addition to being a fantastic musician he is also a tremendous geek when it comes to anything technical, be it software, plug-ins, microphones or outboard gear. It's this marriage of musical creativity and technical know-how that makes him an in demand producer/engineer.

Credits

50 Cent

Soulja Boy

Wale

Kelly Rowland

Chromeo

MGMT

What do you have to say?
Leave a comment
jeromewauk
2016 May 22
Thanks Ben , as always you make it clear how and why to achieve must have techniques. Much appreciated.
Spudmuffin
2015 Aug 08
Nice!! I'm also curious about the delay compensation settings, so that the returned mic signal exactly syncs with the pre-recorded signal. Perhaps the lack of mix plugins and a low buffer setting (yes?) contributed to making sync a minimal issue? Your thoughts please.
anxious
2015 Jan 21
Vovox Cables, those help a lot too. Cheers
vlakanas
2015 Jan 20
Is there a delay? I will try it but from what I can understand there are delay ,therefore requires compensation. This is key. Other than that, good job. Thanks
MZ1387
2015 Jan 13
How did you set up the delay compensation in Pro Tools so that the DI signal and the Reamped signal remained in phase after going out and coming back in?
gferrara
2015 Jan 13
Love the sound of the re-amped vocals, I never would have thought of doing something like that. Will definitely be experimenting with these ideas...
Ten20SevenAudio
2015 Jan 13
Well done Ben. Short, sweet and concise: in typical Lindell fashion!
White Cat Studio
2015 Jan 12
Great video Ben!! Are you metering pre or post fader? The recording level seems high....
msloan
2015 Jan 11
great video and I look forward using some of the techniques you demonstrated!
pmlogin