The Teletronix LA-2A Optical compressor is one of the most venerable pieces of outboard gear in recording history. It has a compression behavior, tone and character that have made it an essential staple for engineers since its release in 1962.

After performing a dry run of the cut, Mark Santangelo revisits the source material to ensure he has the perfect settings before cutting the final vinyl master.

The master is complete, and this is a track destined for a 7" vinyl record.

After working on two separate versions of the master, it's time for world-renowned mastering engineer Dave Kutch to put the final touch on Jimmy Douglass's mix of "Light Shine Through" by Jared Evan.

Continuing with the mastering for "Light Shine Through." Dave Kutch wraps up his first version of the master and begins on a second option for the artist.

With an incredible mix from the master, Jimmy Douglass, it's off to The Mastering Palace in New York City, to have world-renowned mastering engineer, Dave Kutch put his touch on "Light Shine Through."

In this episode, Jimmy wraps up the final details on the mix, A/Bs his Neve VR Channel Strips across the mix bus for added flavor, and checks the mix on multiple sets of monitors. Then, it's time to play the mix for the team!

In this episode, Jimmy digs further into the details of the mix by editing the arrangement to enhance the impact of transitions between sections and add exciting moments to the vocal arrangement.

Continuing with the mix of "Light Shine Through," Jimmy keeps digging through the tracks and adding his touch by adding parts to the production.

As Jimmy continues working through the tracks, he turns his attention to verse 2, works on the rap vocal, explains his preference for mixing templates and starts working on the background vocals.