Fab goes over the specific Monitoring functions of the Dangerous D-box in action inside the Revolution room at Flux Studios. Amongst other things, this video explains how you can make the best out of the monitoring section and the cue system.
If you would like to know more about the Dangerous Music gears, please follow this link: www.dangerousmusic.com
Please do not forget to share this video on Twitter, Youtube and Facebook. The more visitors we have, the more free content we will be able to make!
4.1
70 reviews
t
thematix •Sunday, October 17, 2021
would be great if you can include a outline for connecting Luna with the Dangerous D-box & 2Bus! do
M
Maddfav •Friday, October 2, 2020
I must say i have tried everything humanly possible to get my 2bus+ to work in pro tools with no success. surprisingly everything works perfectly in logic pro x. i just dont understand the deal with pro tools. I beleive there is something small that i am over looking. Any ideas on how to resolve this?
1
J
Jose David Saldana •Tuesday, June 16, 2020
Hi! nice video. I am still confused how to set up my session for summing, though. I don't quite understand the printing part and why we need an aux before going to the master bus. Any suggestion where I can find info for this? Thanks in advance.
1
piradex •Friday, August 30, 2019
With Studio live Serie III 32, i need use D/A converter do connect 2Bus+ ?
b
bruindodger102 •Friday, April 26, 2019
What do I need to connect a Dangerous 2 Bus? Can I just connect it to my Mac computer directly or through my Focusrite Scarlett 18i8i? Thank you.
1
robert.so •Tuesday, September 18, 2018
here you say the connections are HALF-NORMALLED ... and in the HYBID MIX tutorial you have them NORMALLED connected ... It is very confusing
1
bern.f •Monday, July 9, 2018
This guy is clueless and only makes things harder. A FireFace 800 should let you sum 26 individual outputs. I do it all the time with Cubase.
yvergara12 •Sunday, November 13, 2016
This video isnt playing anymore... I havent been able to watch it :(
R
Raph •Tuesday, November 8, 2016
Hello, I want to know why on some track you doesn't have a pan knob ?
r
rmoreno •Sunday, December 27, 2015
Hi Fab Can you do a new video using the new 2bus+ with more details. Mixing any song but only using 2bus+ without any hardware.
N
Nenette •Tuesday, June 23, 2015
Hi
I Finally found the way to do got analog sum with mackie onyx.
Thx Fab
fantome •Saturday, May 30, 2015
Merci Fab , pour le preset cubase cpr.
vlakanas •Thursday, May 28, 2015
I have two Apollo's, linked ,fire wire, so I can have 16 outs. Do I separate the stereo aux/buss ,to two mono, left and right?
Thanks
m
martintolmusk@gmail.com •Saturday, May 16, 2015
Hi Fab,
If the Dangerous Master is too pricey, would your recommend any of the of the following: Lynx Hilo, Antelope Pure 2, or the new Dangerous Convert-2 for mastering purposes. I have the Apollo Quad and Grado GS1000i headphones. I absolutely love the new mastering video and have asked few questions from Fiedermann as well.
Kind regards,
Martin
m
midimike •Friday, March 27, 2015
@muratb: It is so the PLC(Plugin Latenct Compensation) will keep your stems up lined nicely. If you don't go through the busses first each stem would be out of time in relation to plugins with different overall latencies on different busses. Going through the busses first lets Logic calculate to make sure all your stems leave your D to A converters at the same time.
