Continuing with the final mix of "That's Love," Matt Ross-Spang breaks out his artist mix controller to add his personal touch to the tracks of "That's Love."
In this episode, Matt and Eli continue mixing "That's Love," dialing in the final details with Matt's organic approach to automation.
See how Matt Ross-Spang:
Talks through his approach to automation
Focuses on each individual instrument to make sure the essential moments are showcased
Explains phase issues that can occur when micing a Leslie cabinet
Works on the balance of the left and right sides of the mix
Automates reverb sends on individual elements of the mix
Discusses the benefits of having the client in the room and addressing their notes on the spot
De-esses vocals and explains the problems easing can have when the time comes to print the vinyl
Has Eli do the final fade-out
Explains his process for printing full resolution and client files for review
Join Matt Ross-Spang, Eli "Paperboy" Reed, The Hodges Brothers, Ken Coomer, and The
Masqueraders inside the legendary Sam Phillips Recording in Memphis, TN, for an incredible recording event, from Start To Finish. Only on pureMix.net
Software
EQ 3 7-Band
FabFilter Pro Q-2
FabFilter Pro-DS
FabFilter Pro-MB
Waves L1 Limiter
Mod Delay III
Trim
UAD API 550A
UAD dbx 160
UAD Neve 1073 Legacy
Outboard Gear
1969 Spectra Sonics Console
Fairchild 670 MKII
Fulltone Tube Tape Echo
Sam Phillips Recording Service Plate Reverb
Spectra Sonics 610
Spectra Sonics V610
Eli “Paperboy” Reed
Eli "Paperboy" Reed (born 1983 as Eli Husock) is an American singer and songwriter. After graduating from Brookline High School in 2002, he moved to Clarksdale, Mississippi. After spending a year in Clarksdale, he enrolled at The University of Chicago to study sociology. While in Chicago, he hosted a radio show called "We Got More Soul" on WHPK and played organ and piano in the South Side Chicago church of Mitty Collier. After one year of study in Chicago, he returned home to Boston to focus on music, recording his first album Sings "Walkin' and Talkin' for My Baby" and Other Smash Hits!
4.9
66 reviews
chrisbrasil23 •Thursday, December 21, 2023
ok
Camundongo •Friday, August 18, 2023
Great Video!!!!!!!!!!
Three Chord Joe •Friday, July 8, 2022
Outstanding! I thoroughly enjoyed this series. Thank you Matt for giving us a window into your process. Interesting blend of analog and digital, old and new. You are clearly a master of the tools and craft. I learned a bunch. Thank you Eli for sharing your artistic journey with these songs. You have Killer vocals! I will be checking out your other material.
thestudentproducer •Monday, April 26, 2021
This was great and very heart warming to watch. All that hard work paid off! Masqueraders, bless you guys, you rock!
r
robe1972 •Saturday, April 10, 2021
Amazing video...I loved it so much..!!!
Thanks
b
bigsky •Wednesday, March 3, 2021
I love the 'keep it simple' philosophy. I learned so much watching this process start to finish.
m
more_drums •Tuesday, February 2, 2021
Someone get Ken a coffee
B
Brand.Audio •Wednesday, January 27, 2021
Great Tutorial. And i love the "Chunk"-T-Shirt. Goonies Rules!!!
jens.s •Sunday, January 10, 2021
Amount of compression?
Castor X •Tuesday, December 29, 2020
Great Feeling here.
c
callmemrnichols •Sunday, November 29, 2020
@jsdehlers the 2 mix is the mix bus. 2 mix is the term that a lot of old school mixers use. I'm assuming it has something to do with the way it's routed on the console, but don't hold me to that.
gemini8sound •Thursday, November 19, 2020
He's putting a gel that absorbs and deadens the vibrations... think of moongel, or a bandana, or tape or anything that steals some of the snare heads immediate vibrations which will deaden the sound.... sound is just vibration... absorb some, you kill some of the sound, just like putting up baffles or anything else that you want to stop a sound from doing something undesirable
j
jsdehlers •Wednesday, October 28, 2020
Quick question: what is the 2 mix?
wfrank •Monday, October 26, 2020
This whole series was just awesome. The artists are absolutely amazing and authentic and Matt manages to create and capture that 60-ties flair perfectly. Watching his way to listen to stuff an approach things was very helpful and inspiring. Really appreciate the time he took to explain his thinking and usage of tools to the puremix audience.
