Ep.14 Mixing “Anytime You Want Me” - part 2
Automation is one of the most potent tools a mixer has to create the perfect balance and add excitement and motion to a mix.
In this episode, Matt Ross-Spang continues the mix of "Just As Long As You Want Me," meticulously riding each instrument to make sure they shine on their most exciting moments in the performance.
See how Matt Ross-Spang:
- Breaks out his artist mix controller and starts writing automation with the lead vocal
- Checks the phase setting on the vocal multi-band compressor
- Rides the guitar send to the chambers at Sam Phillips Recording.
- Talks about his preference between 1176s, LA3As, and other compressors
- Automates panning
- Adjusts the timing on the horns
- Adds dynamics to each section of the song
Join Matt Ross-Spang, Eli "Paperboy" Reed, The Hodges Brothers, Ken Coomer, and The
Masqueraders inside the legendary Sam Phillips Recording in Memphis, TN, for an incredible recording event, from Start To Finish. Only on pureMix.net
Software
Outboard Gear
- FabFilter Pro-DS
- FabFilter Pro Q-2
- FabFilter Pro MB
- FabFilter Pro Q-2
- UAD Neve 1073 Legacy
- UAD Teletronix LA-2
- 1969 Spectra Sonics Console
- Fairchild 670 MKII
- Fulltone Tube Tape Echo
- Sam Phillips Recording Service Plate Reverb
- Spectra Sonics 610
Eli "Paperboy" Reed (born 1983 as Eli Husock) is an American singer and songwriter. After graduating from Brookline High School in 2002, he moved to Clarksdale, Mississippi. After spending a year in Clarksdale, he enrolled at The University of Chicago to study sociology. While in Chicago, he hosted a radio show called "We Got More Soul" on WHPK and played organ and piano in the South Side Chicago church of Mitty Collier. After one year of study in Chicago, he returned home to Boston to focus on music, recording his first album Sings "Walkin' and Talkin' for My Baby" and Other Smash Hits!